And when someone places that kind of work into your hands, the last thing you want to do is junk it up, overproduce it, or do too much. “The song ‘Doris’ is about his grandmother making the transition from this world to the next realm,” says Johnson. Over a simple rolling guitar figure, Bridges pleads with the heavens-“Look at the mess that I made/Just a man with unclean hands”-only to be reminded of God’s eternal love.įor Khruangbin, one song in particular was indicative of the trust that Bridges put in them. Propelled by rolling guitar licks, conga and bongo, lead single “B-Side” meditates on meeting in a dream and frolics across the nearing contemplative nighttime state with its longing’s joy.Įlsewhere on Texas Moon, the artists channel a newly intimate musical scope that’s illustrated most dramatically when the spacy sensuality of the minimalistic “Chocolate Hills” leads into the stark spirituality addressed on “Father Father,” a reminder of both acts’ gospel roots. Watch here.Ĭrediting their mutual home state for inspiration, Texas Moon pensively examines Texas’ musical perception, while paying homage to the marriage of country and R&B that’s become synonymous with the lone star state. Lorraine Ghost Town and directed by Philip Andelman starring the artists all for the very first time.

How can you have the sun without the moon?”Īlso in conjunction with the news Khruangbin and Leon Bridges present the video for “B-Side,” a wandering Western shot in the J. “Without sunlight, all this rain keeps things from growing. “Without joy, there can be no real perspective on sorrow,” says Khruangbin. An extension of the two’s chart-topping four-song Texas Sun journey, Texas Moon is an introspective stroll through the dark.

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